“The closer he looks at the child, the less he sees … The more he looks at it, there’s nothing there. He fears that the more you look at him the less you see. There isn’t anything there.” - John Hughes
So… It’s your……………..
You know that’s right
Well isn’t that nice for you
I hope you get a nice card
So, don’t be a …
Do a little dance
Have some good food
Don’t worry if they laugh at you
Because Sherlock approves
Mycroft does not
And Spike doesn’t care
But above all………..
“What about past karma and how it is influencing you now?”
This can only be bad news.
"As it was, they slowed you down, confused you, kept you vulnerable to violent flashes of recall, and then agitated you and made you unsure of what you knew and didn’t know."
they’re just fictional characters I screamed as I reached into my chest, pulled my heart out and flung it out a window
I thought this was a sort of romantic image, the two of them. We actually did it with real fire, but their hands were all gelled up and you could tell, so this was added in CGI and it looks beautiful. I thought it was a nice comment on their relationship. But what I basically told [Sarah and James] was: “Play the romance. Be proud of him. Love him when you say you love him. Love her when you say she doesn’t love you. Forget about the crumbling world. For that period of time, it doesn’t exist.” It’s a cinematic trick, but it’s a necessary emotional one. — Joss Whedon (“Chosen” Commentary)